In the “seventies” [1870s] there was a wonderful galaxy of talent at the old Gaiety Theatre, Nellie Farren, Kate Vaughan, Edward Terry, and Royce forming a matchless quartette.
Young men, of course, will always be foolish, up to the end of time. Nellie Farren, Kate Vaughan, and Emily Duncan all had their “colours.” Nellie Farren’s were dark blue, light blue, and white; Kate Vaughan’s were pink and grey; Emily Duncan’s black and white; the leading hosiers “stocked” silk scarves of these colours, and we foolish young men bought the colours of the lady we especially admired, and sat in the stalls of the Gaiety flaunting the scarves of our favourite round our necks.
As I then thought, and still think, that Nellie Farren was one of the daintiest and most graceful little creatures ever seen on the stage, with a gaminerie all her own, I, in common with many other youths, sat in the stalls of the Gaiety wrapped in a blue-and-white scarf. Each lady showered smiles over the footlights at her avowed admirers, whilst contemptuously ignoring those who sported her rival’s colours. One silly youth, to testify to his admiration for Emily Duncan, actually had white kid gloves with black fingers, specially manufactured for him. He was, we hope, repaid for his outlay by extra smiles from his enchantress.
‘The Days Before Yesterday’, Lord Frederic Hamilton. Hodder and Stoughton, London.
For a popular burlesque, in the days of Nellie Farren and Connie Gilchrist, of Fred Leslie and Arthur Roberts, the same stalls were filled night after night by the rich unemployed, who afterwards followed their fancies hither and thither and spent quite considerable sums upon them. There was no great stir when marriages followed such aquaintance, and most of them turned out a great success.
‘Gilded Youth’ (essay) ‘Fifty Years, Memories and Contrasts’, Sir Ian Malcolm. Thornton Butterworth, Ltd; London, 1932.
I have to admit, in the interest of accuracy, that the Gaiety shown above in 1913 is not the “old Gaiety Theatre” these two men remembered. That stood across the road on the site of the Morning Post newspaper office at left. It had its last performance in 1903 and was demolished soon afterwards. The new theatre (on the right) had been under construction since 1901 and opened four months after the original closed.
Some of the Gaiety Girls held a reunion in 1950 and what remained of the theatre, just a shell since 1939, was demolished in 1957. The Morning Post building, completed in 1907, is now the One Aldwych hotel.